The meeting space serves as a twilight zone between the two spaces, complementing each spatial dimension. This ensures that both scientists aren't too overwhelmed by this new space, having arrived from two very different places, thus completing a paramount journey.
"The Lair" (Alfred Nobel), on the other hand is a confined maze-like labyrinth consisting of dense, dim-lit passages that welcome by-products of chemical experiments. The centre of the space is somewhat a stage enticing curious eyes, yet accommodating protection from the fierceness of the unpredictable.
"The Descent" (Jacques Cousteau) is a light, lofty space utilising natural light and descending levels to suit his ideas. It enables him to interact with his surroundings from different vantage points.
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